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As a certifiable Scorsese fanboy, I’ve been waiting to hear what he had lined up after Hugo. Turns out his next film will be an adaptation of a Norwegian crime novel, The Snowman, by author Jo Nesbo. The story involves a hard-living, hard-drinking detective, Harry Hole, who hunts a serial killer who leaves a snowman in the yards of his next victim. Though Scorsese is no stranger to gritty crime films, it sounds like the film will be more David Fincher than Michael Mann. Given Scorsese’s recent predilection for genre-hopping, it comes as no surprise.

This announcement once again relegates Silence, the novel by Japanese author Shusaka Endo, to the backburner. The project was slated to be made after The Departed, but was set aside in favor of Shutter Island and Hugo. The story, which involves two Christian missionaries in Japan, seems right up Scorsese’s alley, and he’s been planning on adapting it for years, finally announcing his intentions in 2007. Daniel Day-Lewis and Benicio del Toro were attached, but given the silence (sorry) surrounding the project, it’s a mystery whether they’re still on board.

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In the interest of encouraging myself to be more active on my blog, I figured I’d add some other features beyond the boilerplate film review. Of course, my interest in film is still heavily slanted towards analysis over anything else, so this is more of an extension than anything radically different. I intend to single out great scenes (whether from great films or otherwise) and fit them within the context of the entire work, as a summation of style, themes, et al. Oh, and I figured I’d touch on TV as well, because why not? It is, in fact, a scene from The Sopranos that inspired this. And it goes without saying that these features will be pretty spoilerific by nature.

Okay, on to the analysis.

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